Musings

Musings

Wednesday, 16 October 2013

MORE THAN HONEY


Directed by Markus Imhoof, Narrated by John Hurt. Released on DVD and Blu-ray on 21st October 2013 by Eureka!

“My grandfather would probably walk from this property disturbed if he saw the way we keep bees today. He’d think: “My God! You’ve lost your soul...”  ~ John Miller (commercial beekeeper)

 

Picture if you will, a group of bees methodically and carefully tending to a small structure inside a hive with what appears to be gentle precision. They loom large on the screen and we watch and wonder at their activity. There is no narrative at this point to tell me what they are doing, but I’m mesmerised all the same.  The beautiful music score (Peter Scherer) is soothing and reassuring and I feel like I am privy to some sort of momentous bee event. The result is the birth of a new princess – a future Queen bee - the central focus of a healthy bee colony. Thus we are introduced to Markus Imhoof’s documentary MORE THAN HONEY.

Many reports have filtered through the media over the years with news that the bee population across the world is in serious decline. MORE THAN HONEY is the latest documentary to focus on the question of bees, specifically honeybees and the mystery of their disappearance. What is happening to the world’s primary pollinators? Why are bees leaving hives in their millions never to return – a phenomenon known as ‘colony collapse disorder’- and what is the solution? The questions are posed but Imhoof doesn’t bog you down in the science of why; instead he takes you on a journey to the past, looks at how it compares to the present and calmly allows the viewer to decide for themselves what they think the future will be. You are taken across four continents to explore the issue. A Swiss beekeeper living in an idyllic natural environment gives us a glimpse of the old traditions; an American commercial beekeeper explains his role in the multi-million dollar industry that the bees generate - so keeping the capitalist cogs turning; China, where people are employed to hand pollinate fruit trees in the absence of bees. And finally to Australia, where experiments are being conducted to try and diversify the gene-pool.

Meanwhile, the exquisite cinematography and the beauty of the bees as they go about their industry is truly splendid, a visual tapestry that complements the subject matter and doesn’t detract from the seriousness of the bee’s plight. Imhoof delivers a film of visual poetry that reminds me of films like WINGED MIGRATION and MICROCOSMOS. The score is subtle and complementary and John Hurt’s narration (UK version) overall could almost make you forget that the bees are in trouble at all. It may not be a punchy strike in the gut, but there are times when a little less sensationalism encourages a more thought-provoking viewpoint.

Is there a future for the honeybee? Well, we don’t know. MORE THAN HONEY is informative but does not preach, it is not pretentious and it celebrates the bee in ways that beekeepers have always known and we need to remind ourselves that we owe it to these creatures to pay attention if only for the sake of our environment and the future. This ‘lovely little insect’ is inextricably connected to us and hopefully one day we’ll come to appreciate them as they deserve before it’s too late.

 (First published on Fleapits & Picture Palaces)

 

Friday, 15 February 2013

Fleeting Passions of the Ludwig Kind..


I sit in a cafe, casually sipping my coffee mooching on my mobile phone, and in the background are the strains of old remembered tunes being played over the system. Most public watering holes and eateries play tunes to keep us from uncomfortable silence. Most people can’t bear the quiet. It makes them antsy. Other places belt out a little ‘katze’ music, irritating those of us seeking peace and quiet or just some soothing notes to drown out the street sounds – a matter of taste - which promptly drives me to down my beverage in one and exit the establishment with alacrity. It’s done intentionally I think, to get the customers moving. Today though, I find the music appealing. So I stick around (seems I’m welcome here) and watch the world go by. It got me thinking about our relationship with music. Something we take for granted usually. It’s available to us all the time.




Music! We all know it, we all listen to it and chances are you will favourite a genre, an artist/s and will never have known a world without music unless you were born profoundly deaf. So name your tune...pop, rock, metal, folk, soul, classical, world, rap, jazz, blues, hip-hop...you get my drift. There will be a tune out there that will make you want to dance, sing, hum, cry and laugh. Or puke, rant, snort or raise your eyebrows until they disappear into your hairline. It’s even therapeutic, soothing and healing. It’s done wonders for me when I’ve wanted to shut out other people’s noise. It’s better than hitting them with a shoe, isn’t it? Saves you from all that unpleasant interaction with fellow simians.

It is said that without music there is no culture. I would go further and say that our expression would be stunted without it. Music goes back to our prehistory, it has grown and evolved over time and become humankinds ultimate and most exalted achievement in my opinion, simply because it is the one thing that every single human-being can relate to in this world. It doesn’t matter what you’re into, music transcends barriers. Ever listened to a song or a musical piece and felt moved by it? Something resonates, right? Well, depending on where I am in life, different things will appeal to me. I will come across something that suddenly fits my particular state of mind at that point, or simply grabs my attention because for some reason it sparks my interest in that given moment. I’m a tart like that. I have interests, but I’m not always loyal to them because I don’t usually devote 100% to any given topic, hobby or pastime. My musical promiscuousness is no less different. I’ll casually meander through some random media and suddenly a tune will sound that is completely different from my usual aural fare, and I’m smitten. That’s what music does; it infects your soul like a virus when the recipe is right.

I listen to all sorts of music and recently I have been educating myself with regard to classical music. I don't play any instruments (more fool me) and I don't read music, but I realise that its influence permeates much of our modern music today, so I figure it’s time I learnt a little on the subject. Some things I am familiar with. I know who Mozart is. I think of the film ‘Amadeus’ and remember the actor’s maniacal laugh. Not sure Mozart was that imbecilic outside of his musical genius, but who’s to say? I wasn’t there. Bach has a rather robust face like perhaps he raided the larder one too many times, and also sports a curly wig that would make a barber jealous. Vivaldi looks like the Mona Lisa with a violin and then we have the unruly haired, scowling Ludwig.

Beethoven is my current beau, and I’m a little in love with him, even though he’s been dead since 1827.  His music has lasted over the centuries and influenced a whole generation of new composers to leave Classicism behind and embark on their own unique, personal vision instead. Thus Romanticism was born and Beethoven lead the way in turning the usual into the unusual. His early influences were Haydn and Mozart but he soon evolved towards a more mature distinctive style until eventually he became the master of the sublime. Don’t get me wrong, there have been other genius composers on this earth, each with something extraordinarily talented to offer the world. But Ludwig gave us his soul so very completely - the bombastic, thunderous, celebratory Ode to Joy, for example – his final Ninth Symphony that sealed his fate as an ‘immortal’. He overcame a difficult childhood, ill-health and a hearing impairment to give us some of the most passionate classical music ever written. He paved the way for the future form of music in the western world.

Beethoven was said to be a difficult, irascible man at times, and who can blame him considering his terrible abdominal afflictions, nagging depression (it is thought he was bi-polar), migraines (hell I know what those feel like) and his encroaching hearing loss – a devastating prognosis for a composer. And yet it stirred him into a new found resolve. His intensity, his passion and his indomitable spirit won over and from there he gave us his best music yet. He was almost completely deaf when he wrote his Ninth Symphony. When it premiered in Vienna on the 7th May 1824 it was well received:

“When the audience applauded—testimonies differ over whether at the end of the scherzo or the whole symphony—Beethoven was several measures off and still conducting. Because of that, the contralto Caroline Unger walked over and turned Beethoven around to accept the audience's cheers and applause. According to one witness, "the public received the musical hero with the utmost respect and sympathy, listened to his wonderful, gigantic creations with the most absorbed attention and broke out in jubilant applause, often during sections, and repeatedly at the end of them." The whole audience acclaimed him through standing ovations five times; there were handkerchiefs in the air, hats, raised hands, so that Beethoven, who could not hear the applause, could at least see the ovation gestures.” (Wiki)

His hearing problems unfortunately compelled him to live a solitary, lonely existence and thus he never married. One mystery woman did manage to attain the grandeur of becoming his ‘immortal beloved’. The jury is still out as to who she was, but it proves that he did fall ‘in love’ as much as any other human-being but it was rarely reciprocated. I guess the fantasy of love was more potent than the reality.  He was distinctly unlucky in that respect. Underneath the gruff, proud almost cruel looking demeanour, dwelled a deeply passionate man whose music was his life essentially: a lonely man who felt misunderstood at best and was riddled with ailments.

“Oh you men who think or say that I am malevolent, stubborn, or misanthropic, how greatly do you wrong me? You do not know the secret cause which makes me seem that way to you.”

He had a mercurial nature: he could be demonic in his rage, unreasonable, paranoid and yet also be kind and excessively generous according to friends. He was a man of contradictions and a talented genius. How can one not be intrigued by such a person? I often wonder if his personality might have been less dark had his father not been the drunken, abusive man that he was, or if his health were not quite so awful. Then again, this is part of what made him so indomitable and strong. It pushed him to his limits. Every piece of music reveals Beethoven’s inner life. His soul permeates every note of his music. Foremost a pianist then a true composer he sits at the top of my pyramid of musical composers. Ludwig Van Beethoven a flawed, tortured soul granted the gift of music, knocking the world for six. A good tune will call you into being.  Beethoven does just that. His gift to humanity.